Taking a Dump... of Information

Morgan Larkin • October 25, 2025

Share this article

Hi fellow readers, writers, and friends!


When you're writing a manuscript, you do A LOT of research. There's research to make sure you're crafting a believable story (since mine's set under the ocean, I went deep—pun intended). There's research on following all the rules of writing so readers don't immediately clock you as a first-timer.


I had an "Oops" moment when I stumbled across the term "info dumping."


Info dumping is when a writer throws way too much information at you in lengthy paragraphs about... well, anything. World-building, backstory, character details—you name it. These dragging passages bore readers and kill your pacing.


So what did I do? I went back to my manuscript and started reading each chapter with fresh eyes. And sure enough, my manuscript was infested with info dumps. Time to put on my exterminator hat and get to work.


Here's how I tackled it:


1. Identify the Problem


This can be tricky for a new writer. I took a first pass through each chapter and flagged all my info dumping by highlighting it in yellow. Turns out, I had two major dumping grounds: worldbuilding and backstory. (Character descriptions, too. We'll get to that.)


2. Be Selective


Now that I'd identified the problem areas, I had to decide what was actually essential. I asked myself:


  • Is this critical to the plot right now?
  • Is it setting up something that's coming later?
  • Is it an Easter egg? (I love sprinkling clues for detective-minded readers to pick up on.)


I couldn't keep it all. So I had to ruthlessly cut what didn't serve the story in that moment.


3. Blend It In


This is where the magic happens. You don't have to give up information—you just have to weave it in naturally. Instead of dumping a massive chunk of exposition on the page, sprinkle details throughout the book. Readers are smart. They'll figure it out and use their imagination to fill in the gaps.


Here's how I blended:


Example 1: Character Descriptions


I thought I had to describe my protagonist all up front. Big newbie mistake. (A trap so many of us fall into.) I had to cut it all from the beginning.


Instead, I flagged areas where it felt natural to layer in descriptive elements throughout the first five chapters. And I did it through Vander's actions and dialogue—not just a static paragraph listing his hair color and build. That way, readers get bits and pieces and can start building his image in their minds as the story unfolds.


Example 2: World-building


Since my world is underwater, I built A LOT. And explained A LOT. I wanted it to feel believable and magical. But it slowed the pacing and felt jarring.


I realized I was treating my readers like children who needed everything spelled out. But my audience is new adults—they'll figure it out and appreciate the journey as it all comes together. I don't need to explain every single detail about why this world works. I just need to give them enough to build a mental picture and let their imagination do the rest.


This was probably my heaviest revision area. (I'm sure my developmental editor will find more.)


I worked on blending world-building into the story as characters travel, fight, talk, and interact. Sometimes a character shares information through dialogue (if it's important!). Most of the time, the world interacts with the characters. Like if they're swimming through a coral reef, I'll sprinkle in marine life reacting to their approach—or have the fish actually interact with the character instead of just sitting in Vander's head while he describes everything he sees.


Example 3: Backstory


In one of my earlier posts, I mentioned that my beta readers asked for more backstory. Boy, did I give it to them. Way too much. All at once. Especially in my prologue.


Backstory is essential for setting the stage—helping readers understand "how we got here." But it can bog down the story and feel out of place if dumped all at once.


So again, I blended backstory throughout the book using the same techniques I used for world-building and character descriptions. Take Vander, for instance. Rather than dumping a lengthy explanation about how he became an addict, I created a whole chapter where the reader is trapped in his night terror. It's an action-packed dream sequence that reveals a pivotal moment in his life—the tipping point that pushed him to numb his feelings with Nullex.


Other techniques for blending backstory:


  • Dialogue (as long as it feels natural, not forced... and not lengthy)
  • Memories (a character has a daydream or something triggers a flashback)
  • World-building (Instead of just telling readers "after The Undoing, the ice caps melted and flooded the coastal land," I modified a chapter where the characters explore a drowned city. This created rich world-building, and readers can put two and two together to figure that the sea level rose.)


Disclaimer: I'm not recommending you add chapters to fix info dumping. Only add a chapter if it helps the story's plot and pacing. I was always going to have that drowned city chapter—I just modified the worldbuilding elements within it. The last thing I want is for a reader to think, Well, that was a useless chapter.


My story now reads at the pace I want—fast and action-packed. Now it's time to bring in a developmental editor to catch what I missed. (I'm way too close to it at this point.)


Stay creative, stay hyped, and don't take a dump (in writing!).


Morgan
Debut author faking it till I make it ☕📚✨


Let's chat: Have you been caught in the info dump web? How did you fix it? I want to hear your story in the comments!

Recent Posts

Colorful Play-Doh shaped into coral, close-up—blue, yellow, red, and pink colors.
By Morgan Larkin November 12, 2025
Let's talk about my novel's identity crisis. I couldn't just pick ONE genre. Nope. I decided to throw Sci-Fi, Fantasy, and Romance into a blender and hit "frappe."
Fifteen yellow emoji faces, various expressions: surprised, happy, laughing, in love, sticking tongue out, winking, and crying.
By Morgan Larkin November 1, 2025
I've never experienced such a range of emotions doing anything before until I started writing this novel. The ups and downs are insane. Here's how I manage.
By Morgan Larkin October 28, 2025
Hi fellow readers, writers, and friends! So I got totally hooked by this authorspublish.com newsletter that promises weekly lists of publishers accepting unagented submissions. I mean, how could I NOT sign up for that? It's like fishing for publishers who actually want to hear from us regular humans. Here's the thing about publishing—it's basically a choose-your-own-adventure where one path is a labyrinth of rejections and waiting, and the other is faster but costs actual money. Fun times. The Traditional Publishing Maze (Spoiler: It's Brutal) I read about this author who sent out 600 agent queries over three years before landing three offers. SIX HUNDRED. That's less than a 1% success rate, which makes my high school dating life look wildly successful by comparison. The stats are sobering: Most Americans dream of writing a book someday. Like, we're talking the majority here. So let's crunch some numbers to paint the picture: 1,000 people say they'll write a book 30-100 actually finish that messy first draft (hey, that's me!) Of those, maybe 1-2 land a traditional deal Those odds are rougher than swimming through a coral maze blindfolded. But here's why I'm still trying: Traditional publishers know their shit. They've got the marketing muscle, the distribution networks, the secret sauce that turns books into bestsellers. The trick is timing—finding that perfect agent or publisher who's looking for exactly your book at exactly the right moment. Have I sent out submissions? Hell yes. No luck yet, but I didn't write 122,000 words not to shoot my shot. And yeah, I'll say it—success in this game requires a massive dose of luck. You need the perfect query in the hands of someone who happens to be looking for underwater sci-fi romantasy on the exact Tuesday you hit send. They're drowning in thousands of submissions, searching for unicorns. (Fun fact: When I was a kid and people asked what I wanted to be when I grew up, I'd say "a unicorn." Thanks to The Last Unicorn , I genuinely thought it was possible. So maybe there's hope for me yet.) The Self-Publishing Speedboat Then there's door number two: self-publishing. Going indie. The "you can't keep me down" path. This route is faster, but your wallet's gonna feel it. After revising your draft until your eyes bleed, you're looking at: Developmental editor (the one who tells you your plot makes no sense) Copy editor (the grammar police) Proofreader (catches the typos) Cover designer (because we all judge books by their covers) Interior formatter (making it pretty inside too) Maybe some maps or illustrations if you're feeling fancy Then boom—Amazon KDP, which basically owns the ebook universe with something like 70-80% market share. The self-publishing world is exploding. We're talking 264% growth in the last five years. In 2023 alone, 2.6 million self-published books hit the market compared to 563,000 traditionally published ones. That's a LOT of competition, but also proof that authors aren't waiting for permission anymore. My Game Plan? Both Paths, Because I'm Stubborn Do I want a publisher to fall in love with my underwater world and champion it? Absolutely. But I'm not putting all my eggs in that extremely selective basket. Technology has given us options. Everyone has a story worth telling, and now there's more than one way to get it into readers' hands. So I'll keep swimming in both lanes—querying agents while also researching self-publishing options. If a traditional publisher wants to throw me a life preserver, amazing. If not, I've got my own boat ready to go. This book will see the light of day either way. I'm too stubborn to let it live forever on my hard drive. Stay creative, stay hyped, and remember—sometimes the best strategy is refusing to pick just one path. Morgan Debut author faking it till I make it ☕📚✨ Let's chat: Which publishing path would you choose? Are you a "wait for the perfect deal" person or a "I'll do it myself" type? Drop your thoughts below!
A hand paints an underwater castle scene with coral and fish using a paintbrush.
By Morgan Larkin October 22, 2025
"Wouldn't an underwater world be SO cool?" Then I started building it. Setting rules, making characters interact—and holy mackerel, it was a MASSIVE learning curve.
Hand drawing anime art with a pencil on white paper.
By Morgan Larkin October 19, 2025
Humans want to read about... well, humans. We're all gloriously flawed in our own unique ways. A great protagonist needs balance.
Finding My Writing Style
By Morgan Larkin October 18, 2025
The first thing I had to figure out when I started writing my manuscript was: What's my writing style? There are so many options. After research I found my type.
Piles of white papers on a wooden surface, partially lit by sunlight.
By Morgan Larkin October 17, 2025
My first draft. It was a beautiful disaster. But it's done! Pop the champagne. Here's how my beta readers pushed me to be a better writer.